Doloquee
In a digital age where visual representation holds paramount importance in the realm of music, the recent release of the official music video for “Butta My Bread,” the chart-topping track by Liberian sensation JZyno, has ignited a firestorm of opinions among fervent music enthusiasts.
Directed and filmed by the esteemed Nigerian video virtuoso, Clarence A Peters, widely known by his moniker “Clarence Shot 8,” the video has invoked a spectrum of responses, evoking contrasting perspectives that swirl around its artistic merit and execution.
As the digital era offers a platform for unabridged discourse, Online Parrot, a fervent voice within the virtual soundscape, weighs in on the visual production with pointed analysis. “Jzyno’s BMB video is overhyped. Overrated. Poor choreography or creativity. Low-grade backup dancers or crew. Disconnected storyline. Cliche,” writes Online Parrot, drawing criticisms against the visual opus. However, amidst this litany of grievances, one kernel of recognition remains: “The only thing we must give the man credit for is video exposure and spending lots of cash on a foreign producer. Overall, poor visuals.”
Read Also: Fan Expresses Concern: Will JZyNo’s ‘Butta My Bread’ Video Live Up to Expectations?
In a duality of perception, another fan contends that the Liberian crooner would have fared better by enlisting the expertise of an acclaimed compatriot, the multiple award-winning Liberian video director, Jackie Russ. Advocates of this stance suggest that Russ’s touch would have better accentuated the song’s potency, leveraging his celebrated artistic prowess to mirror the track’s musical prowess. “I don’t know why JZyno spoiled his money behind that video with no storyline,” one fan laments. “Jackie Russ could have even shot that video instead of Clarence, who didn’t do anything sound; low-grading, poor creativity, and plenty of pictures like he was doing Photoshop for our artiste. Jackie Russ could be even better because the song already hit and Jackie could hit too.”
Amid this contentious debate, JZyno appears unperturbed by the cacophony of opposing opinions, remaining steadfast in his commitment to driving his artistic vision forward. As the video accrues an impressive tally of over 120,000 views on YouTube within the span of a single day, it attains a milestone previously uncharted in the realm of Liberian music videos. Such an achievement underscores the undeniable allure of the track, as well as its capacity to resonate with an audience both near and far.
Amidst the welter of perspectives, one resonating sentiment is evident: the potent marriage of music and visual representation continues to be a subject of both fervent praise and unflinching critique. Whether regarded as a misstep or a triumph, JZyno’s “Butta My Bread” video has undeniably ignited discourse reflecting visuals’ profound significance in an era where artistic expression transcends geographical boundaries.
